NIME04 On-Line Proceedings All copyrights remain with the authors. 1A-01 Evolving Tooka: from Experiment to Instrument Sidney Fels, Linda Kaastra, Sachiyo Takahashi, Graeme McCaig 1 1A-02 The Electronic Sitar Controller Ajay Kapur, Ari J. Lazier, Philip Davidson, R. Scott Wilson, Perry R. Cook 7 1A-03 Sound Feedback for Powerful Karate Training Masami Takahata, Kensuke Shiraki, Yutaka Sakane, Yoichi Takebayashi 13 1B-01 Dynamic Patching for Live Musical Performance M. Kaltenbrunner, G. Geiger, S. Jorda 19 1B-02 Aobachi: A New Interface for Japanese Drumming Diana Young, Ichiro Fujinaga 23 1C-01 Daisyphone: Support for Remote Music Collaboration N. Bryan-Kinns, P. G. T. Healey 27 1C-02 Modeling an air percussion for composition and performance Christophe Havel, Myriam Desainte-Catherine 31 1C-03 A Survey of Real-Time MIDI Performance Mark Nelson, Belinda Thom 35 1C-04 Real-time Gesture Mapping in Pd Environment using Neural Networks Arshia Cont, Thierry Coduys, Cyrille Henry 39 1C-05 The Decentralized Pianola: Evolving Mechanical Music Instruments Using a Genetic Algorithm Assaf K. Talmudi 43 1C-06 Don't Just Play it, Grow it! : Breeding Sound Synthesis and Performance Mappings James Mandelis, Phil Husbands 47 1D-01 Tree Music : Composing with GAIA Judith Shatin, David Topper 51 1D-02 Recycling Music, Answering Back: Toward an Oral Tradition of Electronic Music Gideon D'Arcangelo 55 1D-03 Digital Instruments and Players: Part I - Efficiency and Apprenticeship Sergi Jorda 59 1D-04 A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical Turntable Nikita Pashenkov 64 2A-01 You're The Conductor: A Realistic Interactive Conducting System for Children Eric Lee, Teresa Marrin Nakra, Jan Borchers 68 2A-02 PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis Sile O'Modhrain, Georg Essl 74 2A-03 Gesture and Musical Interaction: Interactive Engagement Through Dynamic Morphology Garth Paine 80 2B-01 On the Choice of Mappings Based On Geometric Properties Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle 87 2B-02 The Squiggle: A Digital Musical Instrument Brian Sheehan 92 2C-01 Exploration of the correspondence between visual and acoustic parameter spaces David Gerhard, Daryl Hepting, Matthew McKague 96 2C-02 The Architecture of Auracle: a Real-Time, Distributed, Collaborative Instrument Chandrasekhar Ramakrishnan, Jason Freeman, Kristjan Varnik, David Birchfield, Phil Burk, Max Neuhaus 100 2C-03 Thermoscore: A New-type Musical Score with Temperature Sensation Homei Miyashita, Kazushi Nishimoto 104 2C-04 Toward a generalized friction controller: from the bowed string to unusual musical instruments Stefania Serafin, Diana Young 108 2C-05 ThumbTec: A New Handheld Input Device Philippe Stanislas Zaborowski 112 2C-06 Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing Ryan H. Torchia, Cort Lippe 116 2D-01 Rencon 2004: Turing Test for Musical Expression Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose 120 2D-02 Using an Expressive Performance Template in a Music Conducting Interface Haruhiro Katayose, Keita Okudaira 124 2D-03 Acappella synthesis demonstrations using RWC music database Hideki Kawahara, Hideki Banno, Masanori Morise 130 3A-01 Aura II: Making Real-Time Systems Safe for Music Roger B. Dannenberg 132 3A-02 "On-the-fly Programming: Using Code as an Expressive Musical Instrument" Ge Wang, Perry R. Cook 138 3A-03 Live Cinema: Designing an Instrument for Cinema Editing as a Live Performance Michael Lew 144 3B-01 Synthesized Strings for String Players Cornelius Poepel 150 3B-02 Mobile Music Making Atau Tanaka 154 3C-01 Versatile sensor acquisition system utilizing Network Technology Emmanuel Flety 157 3C-02 In Duet with Everyday Urban Settings: A User Study of Sonic City Lalya Gaye, Lars Erik Holmquist 161 3C-03 Issues for Designing a flexible expressive audiovisual system for real-time performance & composition Enrique Franco, Niall J L Griffith, Mikael Fernstr 165 3C-04 A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic Models Gamhewage C. de Silva, Tamara Smyth, Michael J. Lyons 169 3C-05 Measurement of Latency in Interactive Multimedia Art Yoichi Nagashima 173 3C-06 ism: Improvisation Supporting System based on Melody Correction Katsuhisa Ishida, Tetsuro Kitahara, Masayuki Takeda 177 3D-01 LEMUR's Musical Robots Eric Singer, Jeff Feddersen, Chad Redmon, Bil Bowen 181 3D-02 EyeMusic: Making Music with the Eyes Anthony Hornof, Linda Sato 185 3D-03 The Slidepipe: A Timeline-Based Controller for Real-Time Sample Manipulation Mark Argo 189 3D-04 A Theory of Modulated Objects for New Shamanic Controller Design Matthew Burtner 193 4A-01 A Shape-Based Approach to Computer Vision Musical Performance Systems Jean-Marc Pelletier 197 4A-02 Epipe : A Novel Electronic Woodwind Controller Stephen Hughes, Cormac Cannon, Sile O Modhrain 199 4A-03 SillyTone Squish Factory Geoffrey C. Morris , Sasha Leitman, Marina Kassianidou 201 4A-04 StickMusic: Using haptic feedback with a phase vocoder Hans-Christoph Steiner 203 4A-05 TOASTER and KROONDE: High-Resolution and High-Speed Real-time Sensor Interfaces Thierry Coduys, Cyrille Henry, Arshia Cont 205 4A-06 The Case Study of Application of Advanced Gesture Interface and Mapping Interface, - Virtual Musical Instrument "Le SuperPolm" and Gesture Controller "BodySuit" Suguru Goto , Takahiko Suzuki 207 4A-07 Light Pipes: A Light Controlled MIDI Instrument Sook Young Won, Humane Chan, Jeremy Liu 209 4A-08 Realtime Sample System for the Turntablist version 2: 16padjoystickcontroller Takuro Mizuta Lippit 211 4A-09 The Stranglophone: Enhancing Expressiveness in Live Electronic Music Michael Eyal Sharon 213 4A-10 Ensemble system with i-trace Tomoko Hashida, Yasuaki Kakehi, Takeshi Naemura 215 AUTHOR INDEX 217