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Photo Report of
Media Art Festival 2001
in SUAC
(Shizuoka University of Art and Culture)

 ----- latest updated : 2001.08.17 -----


  1. General Information
    1. Schedule
      • IPSJ SIGMUS Summer Symposium (SS2001) 2001.8.4 / 2001.8.5
      • Computer Music Live Concert 2001.8.4 / 2001.8.5
      • Installation Gallery 2001.8.1 - 2001.8.7
      • Movie / Digital Music Theater 2001.8.3
      • Special Mini Live in "meditation hall" 2001.8.3
      • Installations in "meditation hall" 2001.8.4 / 2001.8.5
      • Lecture: "History of Computer Music" 2001.8.3
      • SUAC CG Gallery 2001.8.3 - 2001.8.7
      • SUAC Open Campus 2001.8.4
    2. Site : Shizuoka University of Art and Culture (SUAC)
    3. Organization
      • Shizuoka University of Art and Culture
        Information Processing Society of Japan (IPSJ)
        SIGMUS (SIG Music and Computer Science)
      • Supported by
        • Shizuoka prefecture
        • Hamamatsu city
        • the Board of Education of Shizuoka prefecture
        • the Board of Education of Hamamatsu city
        • Japan Computer Music Association (JACOM)
      • Assisted by : Roland Foundation
    4. Secretariat
      Shizuoka University of Art and Culture
      Faculty of Design, Department of Art and Science
      1106 Nagashima Laboratory

  2. IPSJ SIGMUS Summer Symposium (SS2001)
    1. A new electromyogram sensor : "MiniBioMuse-III"
      Yoichi Nagashima (Shizuoka Universty of Art and Culture)
    2. BeOS as a real-time mmulti media processing environment
      Shigeru Kobayashi (Beat Japan)
    3. A Shakuhachi Tablature Information Processing System 2001 Edition
      Masato Noguchi , Yuko Tajima , Toshiaki Matsushima , Kuniharu Tsuboi and Satoshi Simura (Toho University)
    4. A Study on Piano Lesson Based on Key-release Motion Analysis
      Chika Oshima* and Kazashi Nishimoto** (*japan Advanced institute of Science and Technology, **"Information and Human Activity," PRESTO, JST")
    5. Analysis of Respiration during Musical Performances by Machine Learning
      So Igarashi*, Tomonobu Ozaki**, Ken Ueno*, Koichi Furukawa* (*Graduate School and Governance, Keio University, **Keio Research Institute at SFC)
    6. Development of Tokawa's music Theory for Computer Science
      Tadahiro Murao (Aichi University of Education)
    7. RENCON: a workshop for planning a piano contest by performance rendering systems-workshop report and panel discussion
      Rumi Hiraga(Bunkyo University), Yasuo Horiuchi(Chiba University), Tadahiro Murao(Aichi University of Education), Yoshihiro Takeuchi(Kameoka high School), Rencon Workshop Members
    8. Automatic Composition by Combination of Pitch Transition Patterns and Rhythm Using a Genetic Algorithm
      Takeshi Tanaka*, Fubito Toyama*, and kenji Shoji* (*Faculty of Engineering, Utsunomiya University)
    9. Constructive Adptive User Interfaces - Composing Music Based on Human Feelings
      Masayuki Numao, Shoichi Takagi, and Keisuke Nakamura (Department of Computer Science, Tokyo Institute of Technology)
    10. Pitch Estimation of Sung Songs Using Comb Filters Connected in Cascade
      Michiru Yamaguchi, Taeko Miwa, Yoshiaki Tadokoro (Department of Information and Computer Sciences, Toyohashi University of Technology)
    11. Influence of Input Parameters on Synthesized Sounds of the Physical Model of the Sho
      Takafumi Hikichi*, Naotoshi Osaka*, Fumitada Itakura** (*NTT Communication Science Laboratories, **Nagoya Unicersity, Center for Integrated Acoustic Information Research(CIAIR))
    12. Similarity-Based String Matching for Media-Information Retrieval andIts Applocation to Similar-Music Retrieval
      Hidehisa Nagoya, Kunio kashino, Hiroshi Murase (NTT Communication Science Laboratories, NTT Corporation)
    13. The experiment of making music information by the image information
      Takada Tetuo, Ouminami Takahito (Bunkyo University)
    14. DoublePad/Bass: A Portable Musical Instrument Using Two PDAs
      Tsutomu Terada*, Masahiko Tsukamoto*, Shojiro Nishio* (*Cybercommunity Division, Cybermedia Center, Osaka University)
    15. Why a computer continues to create unliked pieces: a creation attitude for music of art and its propaagation
      Naotoshi Osaka (NTT Communication Science Laboratories)
    16. Free Discussion

  3. Computer Music Live Concert
    2001.8.4 Rehearsal of Day-1 Concert

    2001.8.4 Day-1 Concert / after concert "5 Capybara !!!"

    2001.8.4 Late Night Rehearsal of Day-2 Concert

    2001.8.5 Rehearsal of Day-2 Concert
    • Masayuki Akamatsu : pray for rain
      percussion : Toshio Koiso
    • Tamami Tono : "I/O" for Sho and Live Computer
      Sho : Tamami Tono
    • Shigenobu Nakamura : Scar (Cello, electronic sounds and CG)
      Cello : Ariko Matsui
    • Satoshi Simura : Tikukan no Uchu VI with "Cyber Shakuhachi"
      Cyber Shakuhachi : Satoshi Simura
    • Hisashi Okamoto : 'Balance' for Limber-Row
      Limber-Row : Hisashi Okamoto
    • Naotoshi Osaka : Chie Kagami for Hichiriki and Computer
      Hichiriki : katsuhiko Tabuchi
    • Yoshihiro Kanno : MAZE I for Noh-Kan and Piano
      Noh-Kan : Yukihiro Isso , Piano : Yoshihiro Kanno
    • Shuko Mizuno : "Adam" and "Eve" for Keyboards
      Piano / Keyboard : Hiromi Okabe
    • Yasushi Yoshida : "non title"
      Guitar and Kyma : Yasushi Yoshida
    • Yoichi Nagashima : "tegoto" for Koto and live computer
      13 strings Koto / 17 strings Koto : Akiko Miyoshi
    • Kenji Yasaka : "PG-13"
      Live Computers : PG-13 (Kenji Yasaka and Shun-ichiro Okada)
    • Takayuki Rai : "lucent aquarelle" for Harp and Computer
      Harp : Airin Sai

  4. Installation Gallery
    2001.8.1 The "Set-Up" Day of Installations

    2001.8.7 The "Shut-Down" Day of Installations
    • Tokiwa + Nakayama : -Ambient Cycle / Domestic Cycle-
    • mashroom studio + stroma : Yoro no Iremono
    • Mariko Takeuchi : JAGUCHI
    • Boys and Girls Science Club : fluorescence
    • Shikgo Inao : Monomi
    • Hisashi Okamoto : Mawasu
    • Tomohiro Sato : memory orgel
    • Tsukada + Ohwada + Toriyabe : Augmented Garden
    • Masaki Teruoka : Yu-Fu-Sou
    • Shoko Nozaki : sound transponder
    • Horio + Ohnishi + Jo + Matsushima + Lee : Mushiku
    • Tetora : Tsubu-Jiro
    • Meyon Pan : Bee
    • Amano Miku : shocking
    • Sei-Gi no Mikata : shiawase no Maru

  5. Movie / Digital Music Theater
    • Ayako Kitada : craving
    • Haruka Hirayama : sunflower
    • Gen Tanabe : Kaihou Button
    • CHikashi Miyama : The Beyond
    • Namiko Sagawa : Iron Muramatsu
    • Daichi Ando : Hai-Fuu
    • Ito + Ohtsuka : Replay
    • Yuhaku Ito : Life flow
    • Hattori + Sugiyama : Fuu-Sou
    • Lee, Hyun-jung : Hide and seek
    • Shigenobu Nakamura : Lust
    • Ohnishi + Jo + Hirose : 01
    • Matsushima + Jo : f.*
    • Nagashima + Ohyama : Ogress II

  6. Special Mini Live in "meditation hall"
    • "Ensemble Virtual Resonance 2" a cappela live
      William Bird : Ave Verum Corpus
      Thomas Tallis : The lamentations of Jeremiah
      (Ensemble : Nagashima, Sawada, Oka, Kashiwagi, Hasebe, Takada)
    • "Visional Legend" for SHO and live computer (ver.2001)
      composition : Yoichi Nagashima
      SHO : Tamami Tono
      CG : Misaki Kato + Masumi Ohyama

  7. Installations in "meditation hall"
    • Akasaka + Hirano : CutOut
    • Ryoko Uchida : daydream
    • Selected Team from Dapartment of Art Management : Artificial Life
    • Nagashima + Ooyama : OOyama World

  8. Lecture: "History of Computer Music"

  9. SUAC CG Gallery

  10. SUAC Open Campus