http://midi.acemlna.com/lt.php?s=9dd02a6eb66f87fad7bc97cdc2f97a38&i=98A129A19A5422 

The MIDI Message
February 23, 2019

MIDI 2.0 prototyping session at 

Winter NAMM 2019 

At the MIDI 2.0 prototyping session at NAMM, a number of MIDI 2.0
features were demonstrated. There have been over 100,000 people who have
visited the MIDI.org site in the past month viewing the information on
MIDI 2.0. 

We have been monitoring the comments on various websites and wanted to
provide some more information about MIDI 2.0. to clarify several points.
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Will MIDI 2.0 devices need to use a new connector or cable?

No, MIDI 2.0 is a transport agnostic protocol.

-Transport- To transfer or convey from one place to another

-Agnostic- designed to be compatible with different devices

-Protocol-a set of conventions governing the treatment and   
 especially the formatting of data in an electronic communications 
 system

That's engineering speak for MIDI 2.0 is a set of messages and those
messages are not tied to any particular cable or connector.

When MIDI first started it could only run over the classic 5 Pin DIN
cable and the definition of that connector and how it was built was
described in the MIDI 1.0 spec.

However soon the MIDI Manufacturers Association and Association of Music
Electronic Industries defined how to run MIDI over many different cables
and connectors.

So for many years, MIDI 1.0 has been a transport agnostic protocol.

MIDI 1.0 messages currently run over 5 PIN Din, serial ports, Tip Ring
Sleeve 1/8" cables, Firewire and Ethernet and all the different
variations of USB cables.

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Can MIDI 2.0 run over those different MIDI 1.0 transports now?

No, new specifications need to be written for each transport. 

There is a new Universal Packet Format that will be common to all modern
transports that will help make this work move quicker. The new Universal
Packet contains both MIDI 1 .0 messages and MIDI 2.0 messages plus some
messages that can be used with both.

The most popular MIDI transport today is USB. The vast majority of MIDI
products are connected to computers or hosts via USB. 

USB is the first target for MIDI 2.0.

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Will MIDI 2.0 provide more reliable timing?

Yes, and not only that the timing for MIDI 1.0 can also be improved. 

One of the new messages that can work with both MIDI 1.0 and MIDI 2.0
are Jitter Timestamps.

Goals of JR Timestamps:

-Capture a performance with accurate timing
-Transmit MIDI message with accurate timing over a system that is   
  subject to jitter
-Does not depend on system-wide synchronization, master clock, or
explicit clock synchronization between Sender and Receiver.

Note: There are two different sources of error for timing: Jitter
(precision) and Latency (sync). The Jitter Reduction Timestamp mechanism
only addresses the errors introduced by jitter. The problem of
synchronization or time alignment across multiple devices in a system
requires a measurement of latency. This is a complex problem and is not
addressed by the JR Timestamping mechanism.

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Can MIDI 2.0 provide more resolution?

Yes, MIDI 1.0 messages are usually 7 bit (14 bit is possible by not
widely implemented because there are only 128 CC messages). In MIDI 2.0
velocity is 16 bit and the 128 control change messages, 16,384
Registered Controllers, 16,384 Assignable Controllers, Poly and channel
pressure and Pitch Bend are 32 bit.

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Can MIDI 2.0 make it easier to have microtonal control and different
non-western scales?

Yes, MIDI 2.0 allows direct pitch control of individual notes ( see
videos)

http://midi.acemlna.com/lt.php?s=9dd02a6eb66f87fad7bc97cdc2f97a38&i=98A129A19A5438 

Video of MIDI 2.0 Per Note Direct Pitch Control

For more information and MIDI 2.0 videos, see this article

on MIDI.org. 

Blokas, EastWest, Gewa, Ploytec, Second Sound and Spectrasonics Join the
MIDI Manufacturers Association (MMA) at Winter NAMM 2019

With the MIDI 2.0 specification moving forward, more and more new
companies are joining the MMA. 

Blokas (http://midi.acemlna.com/lt.php?s=9dd02a6eb66f87fad7bc97cdc2f97a38&i=98A129A19A5431 ) is the team behind
PiSound, an ultra-low latency high-quality sound card and MIDI interface
specially designed for Raspberry Pi pocket computer and Midihiub, a
stand-alone MIDI event processor, router & MIDI interface.

EASTWEST (soundsonline.com ) is one of the
largest virtual (software) instrument companies in the world. 

Gewa (Gewamusic.com/ ) makes digital pianos and
electronic drums that feature MIDI.

Ploytec (Ploytec.com ) develops chipsets for USB
MIDI and audio as well as the PL2, analog synthesizer module and the
ONE.2 MIDI CLOCK TAP TEMPO PEDAL. 

Second Sound (secondsound.com ) makes chips for
audio-to-synth technology that have analog synth components and
translate audio into CV or MIDI signals to control pitch. 

Spectrasonics (Spectrasonics.net  ) makes
Omnisphere, Stylus, Trillian and Keyscape- some of the most popular
virtual software synths in the market. 

**New MMA Members**

We'd love to hear your MIDI tips, tricks and stories!

Submit Your Favorite MIDI Stories  

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