1999年10月22日 (1)
日本の皆さん、こんにちは。(^_^)
いま僕は、成田から北京に向かうJALの機内です。
毎年恒例の「ICMCレポート」ですが、今年は某ルートより
フライトチケットのスポンサーを獲得しましたが、別に
レポート提出の義務が無い(^_^)、という好条件ですので、
例によって勝手な私的レポートをお届けできることに
なりました。例年、ICMCのレポートを同時進行で持参した
ノートパソコンに打ち込み、帰国するとNiftyの会議室とか
僕のWebに置いたりして、皆さんの参考になればと公開
してきたのですが、遂に今年は、現地レポート(ほぼ同時
進行)というのを狙っています。
僕は複数のプロバイダに入っていますし、このWebサーバの
実体はシカゴ付近にあるらしい(^_^;)のですが、これまでは
あくまで「事後報告」でした。もちろん全てのレポートは、
ストリームのライブでもない限り事後報告なのですが、今回
は初の試みとして、プロバイダの海外ローミングサービスの
登録を行い、北京のホテルから市内通話でアクセスポイントに
接続して、DailyのレポートをWebにそのままアップする、と
いう事にチャレンジしてみることにしました。(^_^;)
...と書きながら、もしてかして接続に失敗すれば、このあたり
のテキストは削除して後日アップすることになります(^_^;)。
例年、1週間以上のICMCから帰国して閉口するのが、その途絶
の間に溜まった未読メイルの処理なのですが、今年はそれを現地で
消化しておこう、という事が最大の動機です。
成田空港からこのフライトで御一緒したのは、笙奏者・作曲家の
東野珠実さん、そしてギター奏者の佐藤さんです。飛行機の座席
が僕だけ離れているので、これを書いています。(^_^;)
さっきまで搭乗ゲートで東野さんと、ICMC発表の準備を兼ねながら
一緒にMSPのパッチを作っていたので、あまりバッテリの残りが
ありませんので、とりあえずいつものように、今年のICMCの
暫定予告プログラム一覧とともに、簡単なコメントを書いておく
ことにします。順調にいけば、北京到着後に、ホテルからこの記事
をWebにFTPして、さらにその案内を皆さんにメイルできる筈です。(^_^)
============================================
Friday October 22
============================================
Matinee Concert 1 13:00-14:00
Benjamin Broening, Via Negativa: The Cloud of Forgetting (4:30)
Fernando Lopez-Lezcano, iICEsCcRrEeAaMm (8:10)
John Gibson, Thrum (8:55)
Bob Sturm, Resurrection (7:13)
Robert J. Frank, Zymurgy (8:35)
James Croson, Two to the Two (4:21)
Luca Pavan, Four Town Landscapes (9:10)
Shahrokh Yadegari, Bloody Tear (9:10)
このコンサートは、まだ北京に到着していないので、聴けません(^_^;)。
だいたい、成田を10:40に出発する筈でしたが、実際にテイクオフ
したのは12:05でした(^_^;)。
大連でなにか管制トラブルがあったのが、遠く成田にも波及した
らしいです。
以下の、晩のコンサートから参加となります。
---------------------------------------
Evening Concert 1 Clarinet & Flute 20:00-22:30
John Richey, the mere charm of unaccustomed whirring noises (0:45)
Diane Thome, Bright Air/Brilliant Fire (flute) (11:00)
Yu-chung Tseng, Drinking Alone Under the Moon (clarinet) (7:33)
Wayne Siegel, Jackdaw (clarinet) (10:00)
Judith Shatin, Kairos (flute) (14:00)
David Layman, Memory of a Gulf Coast Midnight (flute) (7:30)
Bret Battey, Pater Noster's Tricyclic Companion (flute) (7:50)
Shintaro Imai, resonant waves (clarinet) (10:00)
これで、初日10/22はオシマイです。そして、いよいよ翌日は、僕の
発表もあり、いちばん緊張する一日です。(^_^;)
============================================
Saturday October 23
============================================
9:30 - 10:50 Paper Session 1a
Audio Analysis & Re-synthesis I
9:30 Simulation of Plucked Strings Exhibiting Tension Modulation
Driving Force
Tolonen Tero, Erkut Cumhur, Valimaki Vesa, Karjalainen Matti
9:55 From Expressive Notation to Model-Based Sound Synthesis:
A Case Study of the Acoustic Guitar
Laurson Mikael, Hiipakka Jarmo, Erkut Cumhur, Valimaki Vesa,
Karjalainen Matti, Kuuskankare Mika
10:20 Analysis and Critical-Band-Based Group Wavetable Synthesis of
Piano Tones
Zheng Hua, Beauchamp James
---------------------------------------
9:30 - 10:50 Paper Session 1b
Composition Systems and Techniques I
9:30 Higher-level Compositional Control in Music Sketcher: Modifiers
and Smart Harmony
Oppenheim Daniel, Abrams Steve, Pazel Don, Wright James
9:55 PWCollider - A Visual Composition Tool for Software Synthesis
Laurson, Mikael
10:20 Composing with Multi-Channel Spatialisation as an Aspect of
Synthesis
Clarke, Michael
---------------------------------------
10:00 - 11:00 Demonstration I
A New Continuous Multimodal Musical Controller Using Wireless
Magnetic Tags
Hsiao Kai-yuh, Paradiso Joseph
以上の一連のセッションですが、残念ながら見ることができません。
というのも、以下のposterでは、僕と東野さんの連名の発表があり、
その準備もあり、さらに時間帯はずっとroomに詰めているためです。
なんと隣の部屋では、毎年ICMC会場でお会いする、お友達のイチロー
さんの発表もあります。今年はイチローさんの発表は、4件も
あります。パワフルですねー。(^_^)
---------------------------------------
10:00 - 11:00 Poster Session I
Room 1 Evaluation of Architectures for Sound Generation Systems with
respect to Interactive Gestural Control and Realtime Performance
Modler Paul, Kirk Ross
Room 2 "It's SHO time" --- An Interactive Environment for SHO(Sheng)
Performance
Yoichi Nagashima, Tamami Tono-Ito
Room 3 A Comparative Latency Study of Hardware and Software
Pitch-Trackers
Yoo Lilit, Fujinaga Ichiro
そして、たぶん上記セッションの余韻で、続く午前の以下のセッションも、
もしかすると見れない可能性が(^_^;)。西村さんというのは、たぶん
会津大のRepresantationをやっている西村さんだと思います。
---------------------------------------
11:00 - 12:20 Paper Session 2a
Audio Analysis & Re-synthesis II
11:00 Data Compression of Sinusoidal Modeling Parameters Based on
Psychoacoustics Masking
Garcia, Guillermo Pampin, Juan
11:25 ATS: a Lisp Environment for Spectral Modeling
Pampin, Juan
11:50 Resynthesis of Piano String Vibrations Based on Physical
Modeling
Daudet Laurent, Guillemain Philippe, Kronland-Martinet Richard
---------------------------------------
11:00 - 11:50 Paper Session 2b
Composition Systems and Techniques II
11:00 PIECE: A Music Language Editor Synchronized with Graphical Views
Nishimura Satoshi
11:25 Two Compositions for Interactive Dance
Siegel Wayne
---------------------------------------
11:30 - 12:30 Demonstration II
How to Produce Chinese Folk Music Using Regular MIDI Equipment
Liu Shuiling, Gong Junping
---------------------------------------
11:30 - 12:30 Poster Session II
Room 1 ComeXos: A Networked Sound Manipulation Primer
Yong Louisa
Room 2 Antialiasing for Nonlinearities: Acoustic Modeling and Synthesis
Applications
Thornburg Harvey
Room 3 Sound of China: Computer Music
Yu Ying
そして、午後イチでは、以下のコンサートです。たぶん、この
マチネコンサートというのは、Performanceの比重の低い、テープ
中心のものと思われます。
---------------------------------------
Matinee Concert 2 13:00-14:00
Rose Dodd, Excess Pitch (9:00)
Simon Kunath, Stumbling Not Running ? Part Two (0:54)
Andrew Lewis, Can (11:54)
Aekyung Han, Reflection (9:20)
Joseph Hyde, Last Minute (1:00)
Mark Bromwich, Route (12:12)
続く以下のセッションでは、僕は予定としてはPaper 3bの
セッションを覗くつもりでいます。Open-GLのアニメーション
も捨てがたいのですが。(^_^;)
---------------------------------------
14:00 - 15:20 Paper Session 3a
Sound Synthesis Method I
14:00 Second-order Recursive Oscillators for Musical Additive Synthesis
Applications on SIMD and VLIW Processors
Freed Adrian, Hodes Todd
14:25 Spectral Line Broadening with Transform Domain Additive
Synthesis
Freed Adrian
14:50 Generating Pitches in Transients by a Percussive Excitation
Fourcade Patrick, Mangiarotti Sylvain, Cadoz Claude
---------------------------------------
14:00 - 14:50 Paper Session 3b
Music in China
14:00 The Design and Implementation of a Processing System of Qin Score
(Jianzipu) QinS(1.0)
Li Sixin
14:25 Voice Creation and the Chinese Folk Music
Liu Shuiling, Gong Junping
---------------------------------------
14:30 - 15:30 Demonstration III
Applications of the Processor Enhanced Memory Module for Music
Signal Processing
Trautmann Steven, Cheung Ngai-Man, Poletto Christopher
---------------------------------------
14:30 - 15:30 Poster Session III
Room 1 Feeping Creatures
Berry Rodney
Room 2 Creating Three-Dimensional Computer Animations Using Spectral
Data and OpenGL
Kreger Tim
Room 3 Heightening Access and Cohesion within the Worlds of
Electroacoustic Music: The Promotion of Triangulation in
Creativity, Development and Scholarship
Landy Leigh
そして、続く以下のセッションでは、我らがNTTの小坂さんの
モーフィングがあります。デモは慶應SFCの岩竹さんのところ
かと思います。なんと、またまたイチローさんの発表もあります。
(^_^;)
---------------------------------------
15:30 - 16:50 Paper Session 4a
Sound Synthesis Method II
15:30 Modalys in jMax: Real-Time Modal-Synthesis
Iovino Francisco, Lartillot Olivier, Schnell Norbert
15:55 An Approach to Sound Morphing based on Physical Modeling
Hikichi Takafumi, Osaka Naotoshi
16:20 Sound Modeling of Transient and Sustained Musical Sounds
Ystad Solvi, Guillemain Philippe, Kronland-Martinet Richard
---------------------------------------
15:30 - 16:50 Paper Session 4b
Music Data Structure and Representation
15:30 Towards Digital "Musical Actions"
Bonardi Alain, Rousseaux Francis
15:55 The Use of Melodic Segmentation for Content-Based Retrieval of
Musical Data
Melucci Massimo, Orio Nicola
16:20 Content Analysis and Queries in a Sound and Music Database
Pope Stephen Travis, Orio Nicola, Roy Pierre
---------------------------------------
16:00 - 17:00 Demonstration IV
"SNAP" -Sound Network Agent Project- Multi Agent System using
Csound in the Internet
Ohnaka Fumitake
---------------------------------------
16:00 - 17:00 Poster Session IV
Room 1 Piano Master Classes via the Internet
Young John, Fujinaga Ichiro
Room 2 Kinetic Sound Sculptures - Stele and Viola Spezzata
Eckel Gerhard
Room 3 ASPEN/EXPLORE: A Multiprocessing Assistant for Electroacoustic
Music Composers
Field Ambrose
そして、この夕方のコンサートでは、日本からギタリストの佐藤さん
が招待されました。楽しみです。(^_^)
---------------------------------------
Matinee Concert 3: Norio Sato 17:00-18:00
Mark Applebaum, Aphoristic Fragment 1 (tape) (1:00)
Yukiko Ito, ruin ruin (guitar) (8:20)
Paul Koonce, Breath of the Machine, ICMC Commissioned Piece (tape)
Rodrigo Sigal, Dolor en Mi (guitar) (14:15)
晩のコンサートでは、ICMC1999実行委員長 Josef Fung さんの作品も
入っています。地元シード、かな。(^_^;)
---------------------------------------
Evening Concert 2 Yang Liping 20:00-22:30
Chin-Chin Chen, Points of Arrival (with violin) (8:30)
Matthew Adkins, Mapping (14:20)
Madelyn Byrne, Atlantic Reverberations (10:32)
Josef Fung, Blood
Dajuin Yao, Garden of Memories (13:40)
Yee On Lo, Dreams-Sequence (14:00)
Allessandro Cipriani, Al Nur (La Luce) (17:00)
これで10/23が終わりです。なかなか「濃い」一日になる筈です。
============================================
Sunday October 24
============================================
9:30 - 10:50 Paper Session 1a
Audio Analysis & Re-synthesis III
9:30 Automatic Capture for Spectrum-Based Instrument Models
Dannenberg Roger, Matsunaga Minoru
9:55 Inversion of a Physical Model of a Trumpet
Helie Thomas, Vergez Christophe, Levine Jean, Rodet Xavier
10:20 SINOLA: A New Analysis/Synthesis Method using Spectrum Peak Shape
Distorsion, Phase and Reassigned Spectrum
Peeters Geoffroy, Rodet Xavier
---------------------------------------
9:30 - 10:20 Paper Session 1b
Music Education
9:30 The Computer Music Education in the Music Composition &
Engineering Department of Wuhan Conservatory of Music
Tong Zhongliang
9:55 The Virtual Sound On Line - Computer Music Courses on the
Internet
Bianchini Riccardo, Cipriani Alessandro
---------------------------------------
10:00 - 11:00 Demonstration I
The Synthesis ToolKit (STK)
Cook Perry, Scavone Gary
---------------------------------------
10:00 - 11:00 Poster Session I
Room 1 Musically Intelligent Agent for Composition and Interactive
Performance
Hirata Keiji, Aoyagi Tatsuya
Room 2 Evolutionary Strategies for Spontaneous Man-Machine Interaction
Beyls Peter
Room 3 Toward Real-Time Recognition of Acoustic Musical Instruments
Fujinaga Ichiro, Fraser Angela
以上の10/24午前イチのセッションでは、Paper 1aを覗く予定と
しました。ダンネンバーグの話も興味があります。なんと、またまた
イチローさんの発表があります。3件目です。(^_^;)
---------------------------------------
11:00 - 12:20 Paper Session 2a
Audio Analysis & Re-synthesis IV
11:00 Granular Synthesis of Sound Textures using Statistical Learning
Bar-Joseph Ziv, Lischinski Dani, Werman Michael, Dubnov Shlomo,
El-Yaniv Ran
11:25 Supporting the Sound Description Interchange Format in the
Max/MSP Environment
Wright Matthew, Khoury Sami, Wang Raymond, Zicarelli David, Dudas
Richard
11:50 Alteration of the Vibrato of a Recorded Voice
Arfib Daniel, Delprat Nathalie
---------------------------------------
11:00 - 11:50 Paper Session 2b
Artificial Intelligence
11:00 Learning Models for Interactive Melodic Improvisation
Thom Belinda
11:25 Motor Neuron Based Virtual Drummer
Laine Pauli
---------------------------------------
11:30 - 12:30 Demonstration II
The Musician's Software Mall - A set of Composition and
Performance Oriented Applications for Sound Synthesis
Resina Eduard, Serra Xavier
---------------------------------------
11:30 - 12:30 Poster Session II
Room 1 Avoiding the Fitness "Bottleneck": Using Genetic Algorithms to
Compose Orchestral Music
Waschka Rodney
Room 2 Creating Music in a Machine Age: the Relations between Tools,
Composer, and Music Making Machines
Li Tang-Chun
Room 3 Aspects of Stochastic Music
Berhoerster Conrad
以上の午前二番手のセッションでは、あれこれソソラレル
話題があります。まだ現地に着いていないので、どのくらい
スワップする時間が必要なのか不明なので、あまり厳密な作戦
は立てられません。これ以降の作戦は、現地で考えることに
なりそうです。
そしてこの日の午後には、橋本先生の早稲田の発表も
登場します。(^_^)
---------------------------------------
Matinee Concert 4 13:00-14:00
Douglas Geers, Hole in Pocket (1:06)
Diane Thome, Enfold Entwine (15:17)
Paul Lansky, Heavy-Set (14:07)
Francis Dhomont, En Cuerdas (11:27)
Anna Rubin, Family Stories: Sophie, Sally (16:15)
---------------------------------------
14:00 - 15:20 Paper Session 3a
Sound Synthesis Method III
14:00 From Timbre Modulation Method to Research the Relation Between
Electronic Music and Chinese Musical Tradition
Leng Censong
14:25 Friction and Application to Real-Time Physical Modeling of a
Violin
Serafin Stefania, Rodet Xavier, Vergez Christophe
14:50 Nonlinear Modeling and Synthesis of the Kantele --- a Traditional
Finnish String Instrument
Valimaki Vesa, Karjalainen Matti, Tolonen Tero, Erkut Cumhur
---------------------------------------
14:00 - 15:20 Paper Session 3b
Performance Interface I
14:00 Cathedral: An Interactive Work for the Web
De Ritis Anthony
14:25 Design of a Flute Interface to Control Synthesis Models
Ystad Solvi, Voinier Thierry
14:50 BoSSA: The Deconstructed Violin Reconstructed
Trueman Dan, Cook Perry
---------------------------------------
14:30 - 15:30 Demonstration III
Music Creation from Moving Image and Environmental Sound
Takahashi Shogo, Sawada Hideyuki, Hashimoto Shuji, Suzuki Kenji
---------------------------------------
14:30 - 15:30 Poster Session III
Room 1 Statistical vs. Connectionist Models of Bebop Improvisation
Hornel Dominik, Langnickel Joachim, Sandberger Bastian, Sieling
Borje
Room 2 Common Practice Notation View: a Score Representation for the
Construction of Algorithms
O Maidin Donncha
Room 3 Feedback in Musical Computer Applications
Laine Pauli, Lassfolk Kai
---------------------------------------
15:30 - 16:50 Paper Session 4a
Audio Signal Processing I
15:30 Adaptive Additive Synthesis of Sound
Roebel Axel
15:55 Structured Additive Synthesis: Towards a Model of Sound Timbre
and Electroacoustic Music Forms
Desainte-Catherine Myriam, Marchand Sylvain
16:20 Audio Signal Representation and Processing In Time-Frequency
Domain
Wang Ye, Vilermo Miikka
---------------------------------------
15:30 - 16:20 Paper Session 4b
Performance Interface II
15:30 Performance Factors in Control of High-Dimensional Spaces
Garnett Guy, Goudeseune Camille
15:55 MusicSpace: a Constraint-Based Control System for Music
Spatialization
Pachet Francois, Delerue Olivier
---------------------------------------
16:00 - 17:00 Demonstration IV
Composing for the Digital Dance Interface
Siegel Wayne, Jacobsen Jens
---------------------------------------
16:00 - 17:00 Poster Session IV
Room 1 Dixieland-Gamelan Band? Encounters of an Algorithmic Kind
Harley, James
Room 2 Sonification of Social Data
de Campo Alberto, Egger-de-Campo Marianne
Room 3 SMaTBaM! -Serving Time-Based Media in the Performing Arts
Boehm Carola, Arnold Stephen
そして10/24の晩のコンサートです。この「SHO」は、たぶん
東野珠実さんが演奏するのだと思います。(^_^;)
---------------------------------------
Evening Concert 3 Chinese & Japanese Virtuosi 20:00-22:30
Ronald Alford, Thoughts of Blossoms (tape) (1:00)
Ken Fields, Beijing (erhu) (9:51)
Joseph Waters, When the Clouds So Boldly Painted on the Sky (zheng) (10:00)
Ambrose Field, Expanse Hotel (Commissioned Tape Piece) (11:08)
Kojiro Umezaki, 3eme Langue (shakuhachi and sho) (10:34)
Bill Alves, In-yo (xiao) (13:00)
Christopher Keyes, Li Jiang Etudes #1 (tape) (11:20)
Lydia Ayers, Ghost Shadow in Fragile Light (ensemble) (10:00)
そして、ぼちぼちペースに乗ってきたICMCは3日目を迎えます。
この日の午前セッションでは、なんと「ダブル平賀」の連チャン
というか独占セッションがあります。(^_^)
============================================
Monday October 25
============================================
9:30 - 10:50 Paper Session 1a
Acoustics of Musical Instrument and Voice I
9:30 A Digital Version of the Photosonic Instrument
Arfib Daniel, Dudon Jacques
9:55 Reed Instruments Modular Representation and their Interactive
Real Time Simulation CORDIS-ANIMA
Florens Jean-Loup, Germond J.
10:20 From Song of Birds to Extended Virtual Reed Instruments -
Physical Modelling of Birds' Vocal Tracks and Application to a
New King of Sound Sustain Virtual Instruments
Cadoz Claude, Florens Jean-Loup, Gubian Sylvain
---------------------------------------
9:30 - 10:20 Paper Session 1b
Music Analysis I
9:30 Content-Based Retrieval and Indexing Methods for Music Databases
Hiraga Yuzuru
9:55 A Computer-Assisted Music Analysis System: Daphne
Liu Jianli, Hiraga Rumi, Igarashi Shigeru
---------------------------------------
10:00 - 11:00 Demonstration I
VMCI, An Interface to Control Csound in Real-Time Under Windows
Maldonado Gabriel
---------------------------------------
10:00 - 11:00 Poster Session I
Room 1 MidiShare Joins the open Source Softwares
Fober Dominique, Letz Stephane, Orlarey Yann
Room 2 A Comparison of Feed Forward Neural Network Architectures for
Piano Music Transcription
Marolt Matija
Room 3 Using Relative Interval Slope in Music Information Retrieval
Lemstrm Kjell, Laine Pauli, Perttu Sami
続く午前のセッションでは、片寄さんが河原先生と組んだ、音声の
技術をComputer Musicに応用したネタの発表です。(^_^)
---------------------------------------
11:00 - 12:20 Paper Session 2a
Acoustics of Musical Instrument and Voice II
11:00 Banded Waveguides: Towards Physical Modeling of Bowed Bar
Percussion Instruments
Essl Georg, Cook Perry
11:25 Physical Modeling by Directly Solving Wave PDE
Palumbi Marco, Seno Lorenzo
11:50 Applying STRAIGHT toward Music Systems - Accurate F0 Estimation
and Application for Data-driven Synthesis -
Katayose Haruhiro, Kawahara Hideki
---------------------------------------
11:00 - 11:50 Paper Session 2b
Music Analysis II
11:00 A Theoretical Framework for Electro-Acoustic Music
Simoni Mary, Broening Benjamin, Rozell Christopher, Meek Colin,
Wakefield Gregory
11:25 Segmentation and Interpretation in Atonal Music
Doerksen John
---------------------------------------
11:30 - 12:30 Demonstration II
InSpect and ReSpect: Spectral Modeling, Analysis and Real-Time
Synthesis Software Tools for Researchers and Composers
Marchand Sylvain, Strandh Robert
---------------------------------------
11:30 - 12:30 Poster Session II
Room 1 Applications of Principal Differential Analysis to Data Reduction
and Extraction of Musical Features of Sound
Winsberg Suzanne, Depalle Philippe
Room 2 Analysis and Resynthesis of Percussion Sounds: Two Methods
Compared
Beauchamp James
Room 3 Spectral Envelope Estimation and Representation for Sound
Analysis-Synthesis
Schwarz Diemo, Rodet Xavier
そして午後のマチネコンサート。10分とか14分とか、長いのが
ありますね。(^_^;)
---------------------------------------
Matinee Concert 5 13:00-14:00
Yee On Lo, Ying Yeur (0:53)
Huaming Xue, Bell Spirit (10:55)
Jon Drummond, Splinter (6:40)
Christopher Penrose, Shinsetsuna (6:01)
John Levack Drever, Butterfly Lovers (14:00)
Alistair Riddel, Steam Land (9:45)
Anthony De Ritis, Plum Blossoms (5:51)
この日の午後にも、早稲田の橋本先生のところがありました。
去年はペーパーに振られた、とショックでしたが、今年は
ちゃんとリベンジしています。(^_^)
---------------------------------------
14:00 - 14:50 Paper Session 3a
Acoustics of Musical Instrument and Voice III
14:00 Modeling Wind Instrument Sound Radiation using Digital Waveguide
Scavone Gary
14:25 Audibility of Inharmonicity in String Instrument Sounds, and
Implications to Digital Sound Synthesis
Jarvelainen Hanna, Valimaki Vesa, Karjalainen Matti
---------------------------------------
14:00 - 15:20 Paper Session 3b
Interactive Performance System I
14:00 The SensOrg: Time-complexity and the Design of a Musical
Cyberinstrument
Ungvary Tamas, Vertegaal Roel
14:25 Conductor Following With Artificial Neural Networks
Ilmonen Tommi, Takala Tapio
14:50 Virtual Conducting Practice Environment
Garnett Guy, Malvar-Ruiz Fernando, Stoltzfus Fred
---------------------------------------
14:30 - 15:30 Demonstration III
Gestural Control of a Real-Time Physical Model of a Bowed String
Instrument
Serafin Stefania, Rodet Xavier, Dudas Richard, Wanderley Marcelo
---------------------------------------
14:30 - 15:30 Poster Session III
Room 1 A Parametric Model of Expressiveness in Musical Performance Based
on Perceptual and Acoustic Analyses
Canazza Sergio, Rod Antonio, Orio Nicola
Room 2 Modelling the Motivic Process of Melodies with Markov Chains
Hothker Karin, Hornel Dominik
Room 3 Formalizing the Concept of Sound
Kaper Hans, Tipei Sever
---------------------------------------
15:30 - 16:50 Paper Session 4a
Audio Signal Processing II
15:30 The Timbre Space of the Classical Guitar and its Relationship
with the Plucking Techniques
Orio Nicola
15:55 Using Advanced GUIDO as a Notation Interchange Format
Hoos Holger, Hamel Keith, Renz Kai
16:20 Common Lisp Music update report
Pampin Juan, Lopez-Lezcano Fernando
---------------------------------------
15:30 - 16:20 Paper Session 4b
Interactive Performance System II
15:30 The Notation of Interactive Music: Limitations and Solutions
Schedel Margaret
15:55 Interactive Multimodal Mobile Robot for Musical Performance
Suzuki Kenji, Ohashi Takeshi, Hashimoto Shuji
---------------------------------------
16:00 - 17:00 Demonstration IV
Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds
on a Power Macintosh
Madden Timothy, Beauchamp James
---------------------------------------
16:00 - 17:00 Poster Session IV
Room 1 Binary Decision Tree Classification of Musical Sounds
Jensen Kristoffer, Arnspang Jens
Room 2 Improving Instrumental Sound Synthesis by Modeling the Effects of
Performer Gesture
Wanderley Marcelo, Depalle Philippe, Warusfel Olivier
Room 3 Sound Processing Kit - An Object-Oriented Signal Processing
Framework
Lassfolk Kai
この晩のコンサートは、Computer Musicで数多く取り上げられて
いる素材、トランペットとパーカッションにスポットを当てています。
なんか、楽しみです。(^_^)
---------------------------------------
Evening Concert4 Percussion & Trumpet 20:00-22:30
Andrew Horner, Midday Chimes (tape) (1:00)
Paul Rudy, ��and every island and mountain were moved ��(trumpet) (12:00)
Joyce Tang, Between Memory and Reality (percussion) (8:00)
Jarmo Sermila, But I Didn't Know It Was Spring (trumpet) (9:56)
Clarence Mak, Melt into Dreams (percussion) (11:20)
James Dashow, Morfologie (trumpet) (16:30)
Eric Chasalow, Out of Joint (trumpet) (5:49)
Hector Fiore, Son sin Marimba (percussion) (12:45)
Ching-Wen Chao, Soundstates (percussion) (10:00)
そして、10/26となります。大詰め近し。この日の午前には、またまた
NTTの小坂さんたち、そして、ヤマハからCCRMAに留学していた藤島さん
の発表があります。和音をリアルタイムに認識する、というのは、たしか
先日発表のヤマハのソフトにありましたよね。なーーーるほど。(^_^)
============================================
Tuesday October 26
============================================
9:30 - 10:20 Paper Session 1a
Expressive Environment
9:30 Expressive Processing of Audio and MIDI Performances in Real
Time
Canazza Sergio, DiFederico Riccardo, Drioli Carlo, Rod Antonio,
DePoli Giovanni
9:55 Visual Manipulation Environment for Sound Synthesis, Modification
and Performance
Osaka Naotoshi, Hikichi Takafumi
---------------------------------------
9:30 - 10:50 Paper Session 1b
Machine Recognition I
9:30 Comparative Style Analysis with Neural Networks
Hornel Dominik, Olbrich Frank
9:55 Low-delay Singing Voice Alignment to Text
Loscos Alex, Cano Pedro, Bonada Jordi
10:20 Score-Performance Matching Using HMMs
Cano Pedro, Loscos Alex
---------------------------------------
11:00 - 12:20 Paper Session 2a
Interactive Performance System III
11:00 jMax Recent Developments
Dechelle Francois, DeCecco Maurizio, Maggi Enzo, Schnell Norbert
11:25 MusiCloth: A Design Methodology for the Development of a
Performance Interface
Chu Lonny
11:50 Interactive Music for Instrumented Dancing Shoes
Paradiso Joseph, Hu Eric, Hsiao Kai-yuh
---------------------------------------
11:00 - 12:20 Paper Session 2b
Machine Recognition II
11:00 A Content-Aware Sound Browser
Keislar Douglas, Blum Thom, Wheaton James, Wold Erling
11:25 Model-Based Musical Transcription
Sterian Andrew, Simoni Mary, Wakefield Gregory
11:50 Realtime Chord Recognition of Musical Sound:
a System Using Common Lisp Music
Fujishima Takuya
---------------------------------------
11:30 - 12:30 Demonstration I
Modeling the Woodstock Gamelan for Synthesis
Ayers Lydia, Horner Andrew
---------------------------------------
11:30 - 12:30 Poster Session I
Room 1 The WaveVerb Multi-Channel Room Acoustics Modelling System
Murphy Damian, Howard David
Room 2 Analysis of Percussion for Timbre Measurement and Synthesis
Lo YeeOn, Hitt Dan
Room 3 The Sounding Distance Sensation and Its Significance of Artistic
Representation
Xue Huaming
---------------------------------------
Matinee Concert 6 13:00-14:00
Luca Pavan, Euro! (1:00)
Luigi Ceccarelli, A propos de la chambre a coucher de Philippe II (10:20)
Per Anders Nilsson, La Gamme Voiture: XM (12:10)
Gary Berger, Elastische Studie (8:15)
Palle Dahlstedt, I Lend You My Ear (12:00)
Rikhardur Fridriksson, Fantasia yfir Liljulag (15:10)
---------------------------------------
14:00 - 15:20 Paper Session 3a
Room Acoustics
14:00 Higher Order Ambisonic Systems for the Spatialization of Sound
Malham David
14:25 Volumetric Modeling of Acoustic Fields in CNMAT's Sound
Spatialization Theatre
Freed Adrian, Kaup Arnold, Khoury Sami, Wessel David
14:50 Modelling Diffusion at the Boundary of a Digital
Waveguides Mesh
Laird Joel, Masri Paul, Canagarajah Nishan
---------------------------------------
14:00 - 14:50 Paper Session 3b
Machine Recognition III
14:00 Guessing the Composer's Mind : Applying Universal Prediction to
Musical Style
Assayag Gerard, Dubnov Shlomo, Delerue Olivier
14:25 Embracing the Composer: Optical Recognition of Hand-written
Manuscripts
Ng Kia, Cooper David, Stefani Ewan, Boyle Roger, Bailey Nick
---------------------------------------
14:30 - 15:30 Demonstration II
Musical Applications of New Filter Extensions to Max/MSP
Freed Adrian, Jehan Tristan
---------------------------------------
14:30 - 15:30 Poster Session II
Room 1 Extending Musical Mixing: Adaptive Composite Signal Processing
Penrose Christopher
Room 2 Multimedia Application of Time Compress/Stretch of Sound by
Granulation
Itagaki Takebumi, Knox Donald
Room 3 "Bleep, Buzz, Blurp": The Challenge of Teaching New Ways to
Listen
Miksch Bonnie, Couch Leon
---------------------------------------
15:30 - 16:50 Paper Session 4a
Real Time System
15:30 Network Audio Performance and Installation
Tanaka Atau
15:55 Time in Distributed Real-Time Systems
Brandt li, Dannenberg Roger
16:20 Composing With The York Polyphonic Real-Time Singing Synthesizer
Gibson Ian, Howard David, Tyrrell Andrew
---------------------------------------
15:30 - 16:50 Paper Session 4b
Aesthetics
15:30 Postformalism
Fields Kenneth
15:55 Revisiting Kontakte: Issues of History, Performance and
Intuition
Clarke Michael
16:20 Aesthetics of Designing an Adaptive Fuzzy System For Evaluation
of the Computer Music
Milicevic Mladen
---------------------------------------
16:00 - 17:00 Demonstration III
Encyclopedia of Classical Music
Abramian Victor
---------------------------------------
16:00 - 17:00 Poster Session III
Room 1 Cross-Modal Similarity in Light and Timbre: Interactions in
Speeded Discrimination
Sullivan David, Fujinaga Ichiro
Room 2 WaRM: A Framework for Modelling Resonant Acoustic
Environments
Laird Joel, Huns Tom, Masri Paul, Canagarajah Nishan
Room 3 Simultaneity in Interactive Computer Music
Brandorff Steffen
---------------------------------------
Evening Concert 5 Composers 20:00-22:30
Matthew Burtner, Glass Phase (1:00)
Russell Pinkston, All Round Me (15:00)
Charles Bestor, Conversations with Myself (14:00)
Shunichiro Matsuda, Deep Blue (piano) (10:00)
McGregor Boyle, Nightfall I: The Lookout (9:00)
Ioannis Kalantzis, Zer01 minute (1:00)
Mitsuyo Hashida, Prodige de l'air (harp) (16:00)
Sung Ho Hwang, Silhouette (piano) (10:00)
ここで機内で打ち込みが時間切れになり、以下はホテルに着いて
つけ加えました。これから晩のコンサートなので、とりあえず
ここまでをアップしておきましょう。(^_^;)
============================================
Wednesday October 27
============================================
9:30 - 10:50 Paper Session 1b
History of Electro Acoustics I
9:30 Proteic Voices in the Computer Music Repertory(1972-1997)
Georgaki Anastasia
9:55 Human Voice Treatment in Various Types of Electroacoustic Music
Hettergott Alexandra
10:20 Speech-Based Computer Music: Selected Works by Charles Dodge and
Paul Lansky
Byrne Madelyn
---------------------------------------
10:00 - 11:00 Demonstration I
Digital Music Research Group (Bristol, UK) Studio Report
Canagarajah Nishan, Masri Paul, Laird Joel
---------------------------------------
10:00 - 11:00 Poster Session I
Room 1 Center for New Music and Audio Technologies (CNMAT) Studio
Report
Andrews Richard
Room 2 Federazione CEMAT and Centres of Computer Music Research and
Production in Italy
Belgeri Gisella, DiGiugno Giuseppe
Room 3 The Design and Implementation of an Integrated High Performance
Computer Music System for Research and Postgraduate Teaching at
the University of York, UK
Myatt Tony
---------------------------------------
11:00 - 12:20 Paper Session 2a
MPEG-4 and MPEG-7
11:00 Audio Descriptors and Descriptor Schemes in the Context of
MPEG-7
Serra Xavier, Herrera Perfecto
11:25 Virtual Acoustics Rendering in MPEG-4 Multimedia Standard
Vaananen Riitta, Huopaniemi Jyri
11:50 Cross-Coding SDIF into MPEG-4 Structured Audio
Wright Matthew, Scheirer Eric
---------------------------------------
11:00 - 11:50 Paper Session 2b
History of Electro Acoustics II
11:00 RTcmix and the Open Source / Free Software Model
Topper David
11:25 Magic Music from the Telharmonium
Weidenaar Reynold
---------------------------------------
11:30 - 12:30 Demonstration II
Patchmix: a Cmix Instrument-Builder
Helmuth Mara
---------------------------------------
11:30 - 12:30 Poster Session II
Room 1 CCRMA Studio Report
Lopez-Lezcano Fernando
Room 2 GRAMMA: the New Music in an Old Architecture
DeAmicis MariaCristina
Room 3 Anglia Polytechnic University - Studio Report
Nunn Douglas
---------------------------------------
Matinee Concert 7 13:00-14:30
Rodney Waschka II, Clementine Variations (1:00)
Peter Adamczyk, Gradus Ad ... (5:14)
Jonathan Norton, 20 Questions (10:30)
Robert S. Newcomb, Substratum (5:20)
Terence Pender, Ascension (14:15)
David Mooney, All the Way with LBJ (7:40)
Howard Fredrics, Screams from Lima (3:00)
Gilles Gobeil, Nuit Cendre (12:21)
---------------------------------------
Evening Concert 6 Multimedia 20:00-22:30
Palle Dahlstedt, Film #2 (tape) (1:00)
Joseph Rovan, Continuities I (gestural controller) (11:20)
Kazuo Uehara, Curved Air 4 (video) (15:30)
Ye-Sung Lee, Der Wanderer (MIDI Piano & Interactive Video) (13:00)
Jon Henry, Images of 1936 (video) (9:40)
Bonnie Miksch, no one (not even the rain) (treble viol) (4:00)
Barry Truax, Pacific Dragon (slides) (14:00)
Todor Todoroff, Reflets/Vitesse (video) (7:20)
============================================
Thursday October 28
============================================
Great Wall (Simatai) Tour with Picnic Lunch (10:00-18:15)
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